Contemplating a career in broadcasting? Then come along to a talk followed by Q & A by
Rachel Gledhill, Head of Human Resources, News & Current Affairs for ITV
Tuesday 18th February (Week 21)
12 noon, Clephan 3.07
(SA 12.2)
Internal information bulletin board for the Music, Technology and Innovation undergraduate subject area at De Montfort University.
Wednesday, 12 February 2014
Tuesday, 11 February 2014
Learning for Living, Week 21
During week 21, 17th - 21st February, in addition to their usual tutorials and drop-in services, CLaSS will also be running a workshop week entitled: "Learning for Living". The sessions provide students with valuable entry points to further understand themselves and how they can live better and happier lives. Additional information is available here.
To book these sessions students will need to come and collect a ticket from the CLaSS box office which is open during the course of this week - the box office is located in the main foyer of the library and opening times can be found on the above website.
Friday, 7 February 2014
MSHR sound, light, sculpture - Feb 21 and 22
MSHR is a collaborative project by Birch Cooper and Brenna Murphy, from Oregon. The duo produces installations, sculptures and ritualistic performances that place the human body into a dynamic relationship with sound and light, generating expanded sensory experiences.
MSHR's live performances currently revolve around a unique system of light-audio feedback that employs hand made synthesizers and sculptural interfaces. The duo insert themselves into the system, sitting in the centre of the array and steering the feedback patterns by shifting sculptural sensors.
https://www.facebook.com/events/543790695717516/
Talk on Friday the 21st at Phoenix from 6.
Live performance on Saturday the 22nd at Two Queens Gallery (2queens.com) -- a warehouse gallery and studio complex in the cultural quarter which is very close to Phoenix. There will be drinks, starting from 7.
MSHR's live performances currently revolve around a unique system of light-audio feedback that employs hand made synthesizers and sculptural interfaces. The duo insert themselves into the system, sitting in the centre of the array and steering the feedback patterns by shifting sculptural sensors.
https://www.facebook.com/events/543790695717516/
Talk on Friday the 21st at Phoenix from 6.
Live performance on Saturday the 22nd at Two Queens Gallery (2queens.com) -- a warehouse gallery and studio complex in the cultural quarter which is very close to Phoenix. There will be drinks, starting from 7.
Faculty of Technology Pop-up Library - every Wednesday
We would just like to announce the start of the Faculty of Technology Pop-up Library.
This will be every Wednesday (in term time) starting on 29th January 12.30-1.30pm in FOTAC.
One of the subject librarians from the faculty will be available to give help with;
· Using library resources
· Referencing and citation
· Literature searching
· Finding books and journal articles
· Using databases
· Any other queries
DMU Postgrad Study Information Session 19 Feb
The university will be holding a talk on postgraduate study and to promote the new Vice Chancellor 2020 Scholarships. This will occur Wednesday 19th feb 11am-12.30pm, and will include tea/coffee and cakes. The session will be in Q0.10 and start with a 10 min presentation on the scholarships. The the rest of the session will consist of opportunities for prospective students to chat with taught postgrad course leaders and module staff.
Note that this is focused on 'taught postgrad' study, and thus it won't include MTI's postgrad study programmes, which are independent/research degrees. We will hold a different information session in the near future for 3rd-year students interested in pursuing postgraduate with MTI.
-=Bret
Note that this is focused on 'taught postgrad' study, and thus it won't include MTI's postgrad study programmes, which are independent/research degrees. We will hold a different information session in the near future for 3rd-year students interested in pursuing postgraduate with MTI.
-=Bret
Tuesday, 4 February 2014
Installations at St Andrews Church, Jarrom Street—5-12 Feb
Students on the MUST3028 Installation Art will be presenting site specific installations at St Andrews Church (on the corner of Gateway St and Jarrom Street) from 5-12 Feb as follows.
Do please come and support their work. This will be particularly of interest to first and second years interested in pursuing the Installation Art module in the third year.
Wed 5 Feb, 3-4.30pm
Chris Inglis, The Silent Pages
- A piece exploiting the relative quietness of the church, both physical and symbolic
Josh Yates, The Sacred Precinct
- Exploring the dynamics of theology and philosophy surrounding the art object
Fenton Hutson, Tintinnabulation in St. Andrews Church
- An Installation that explores the space (acoustics and materials) and place (context/significance) of St. Andrews Church through bell and bell like sounds
David Gurney, ecclesiastes 1:7
- A 3-dimensional sound experience that encompasses the font with flowing water
Fri 7 Feb, 1.30-3pm
Sam Wilmer, Mannequin Motet
- Inspired by Thomas Tallis' Spem In Alium, this piece focuses on man's influence on religion shown through an immersive soundworld
Sam Topley, e.e.c.
- exploded electronic carillon
Rory Webster, The Annals of Theology
- A walk through various perspectives on the existence of god and the relationship between religion and science
Thom Lilley, Flow
- Flow through the church, experiencing sounds of water without stepping outside
Tue 11 Feb, 1.30-3pm
Sagnik Basu, War of Faith
- An installation about recreating an apocalyptic World War 2 scenario and painting people's emotional struggle of faith
Andrew Dove, Balloon Trail
- A path of sound emitting balloons taking viewers on a historic journey up to the build of St. Andrews
John Durnford, Absolved Sin
- The sins of those who are forgiven linger in the stations of the cross and can be heard throughout the church
Sam Warren, If walls could talk
- A study in Space and Perception
Wed 12 Feb, 3-4.30pm
Szymon Gabriel, Electrinity
- An interactive installation; creating sound through an interpreted stained glass window
Maxim Quick: Anekantavada - 'Non-one-sidedness'
- A cognitively engaging installation piece aiming to highlight social cohesion by exploring the inherent ideological differences within religion
Jamie Siddons, Stimuli
- A progressive atmospheric piece filled with deep swelling basslines, artificially edited sounds and orchestral instrumentation designed to be played through an 8 channel surround sound setup
Alex Cable, Inauditum
- An evocative piece that reflects upon the unheard tones of the organ
Alex Gibbons, (title/info to follow)
Do please come and support their work. This will be particularly of interest to first and second years interested in pursuing the Installation Art module in the third year.
Wed 5 Feb, 3-4.30pm
Chris Inglis, The Silent Pages
- A piece exploiting the relative quietness of the church, both physical and symbolic
Josh Yates, The Sacred Precinct
- Exploring the dynamics of theology and philosophy surrounding the art object
Fenton Hutson, Tintinnabulation in St. Andrews Church
- An Installation that explores the space (acoustics and materials) and place (context/significance) of St. Andrews Church through bell and bell like sounds
David Gurney, ecclesiastes 1:7
- A 3-dimensional sound experience that encompasses the font with flowing water
Fri 7 Feb, 1.30-3pm
Sam Wilmer, Mannequin Motet
- Inspired by Thomas Tallis' Spem In Alium, this piece focuses on man's influence on religion shown through an immersive soundworld
Sam Topley, e.e.c.
- exploded electronic carillon
Rory Webster, The Annals of Theology
- A walk through various perspectives on the existence of god and the relationship between religion and science
Thom Lilley, Flow
- Flow through the church, experiencing sounds of water without stepping outside
Tue 11 Feb, 1.30-3pm
Sagnik Basu, War of Faith
- An installation about recreating an apocalyptic World War 2 scenario and painting people's emotional struggle of faith
Andrew Dove, Balloon Trail
- A path of sound emitting balloons taking viewers on a historic journey up to the build of St. Andrews
John Durnford, Absolved Sin
- The sins of those who are forgiven linger in the stations of the cross and can be heard throughout the church
Sam Warren, If walls could talk
- A study in Space and Perception
Wed 12 Feb, 3-4.30pm
Szymon Gabriel, Electrinity
- An interactive installation; creating sound through an interpreted stained glass window
Maxim Quick: Anekantavada - 'Non-one-sidedness'
- A cognitively engaging installation piece aiming to highlight social cohesion by exploring the inherent ideological differences within religion
Jamie Siddons, Stimuli
- A progressive atmospheric piece filled with deep swelling basslines, artificially edited sounds and orchestral instrumentation designed to be played through an 8 channel surround sound setup
Alex Cable, Inauditum
- An evocative piece that reflects upon the unheard tones of the organ
Alex Gibbons, (title/info to follow)
Wednesday, 22 January 2014
Concert (and presentations) this Wednesday 29th January!
invisiblEARts (Scotland)
invisiblEARts are a group of electroacoustic composers whose primary aim is to nurture acousmatic music-making and performance within Scotland. Formed in 1996 by Simon Atkinson, Robert Dow, Alistair MacDonald and Pete Stollery, with a debut performance specifically conceived for Edinburgh's Filmhouse, they are committed to continued exploration into the presentation of acousmatic music within Scotland and abroad, by creating unique performance situations, using innovative venues and encouraging inter-disciplinary collaborations. invisiblEARts performances include Alte Schnmiede, Vienna; Fylkingen, Stockholm; Rien à voir (13), Montreal; Florida Electroacoustic Music Festival; Swedish National Radio; BBC Radio Scotland; SoundAsArt, and sound in Aberdeen and the Soundings... festival, Edinburgh.
7.00pm PACE Studio 1: a programme of acousmatic music from Scotland, including:
Alistair MacDonald - Scintilla (2013) and Wunderkammer (2010)
Robert Dow - Uncertain Memory (2010)
Pete Stollery - Three Cities (2013) and Still Voices (2005)
9.30am CL00.16 Alistair MacDonald (Royal Conservatoire of Scotland, Glasgow) will give a talk on his performative, installation and cross-arts uses of Max/MSP (this talk is a must for students taking the Creative Coding module with Bret but open to anyone interested)
3.00pm MTIRL Pete Stollery (University of Aberdeen) will give a talk on Electroacoustic music and sound design for public visitor attractions (this talk is a must for students taking the Installation Art module with Pete but open to anyone interested)
Free - all welcome! Vital for MUST1009 and MUST2003 concert reports!
invisiblEARts are a group of electroacoustic composers whose primary aim is to nurture acousmatic music-making and performance within Scotland. Formed in 1996 by Simon Atkinson, Robert Dow, Alistair MacDonald and Pete Stollery, with a debut performance specifically conceived for Edinburgh's Filmhouse, they are committed to continued exploration into the presentation of acousmatic music within Scotland and abroad, by creating unique performance situations, using innovative venues and encouraging inter-disciplinary collaborations. invisiblEARts performances include Alte Schnmiede, Vienna; Fylkingen, Stockholm; Rien à voir (13), Montreal; Florida Electroacoustic Music Festival; Swedish National Radio; BBC Radio Scotland; SoundAsArt, and sound in Aberdeen and the Soundings... festival, Edinburgh.
7.00pm PACE Studio 1: a programme of acousmatic music from Scotland, including:
Alistair MacDonald - Scintilla (2013) and Wunderkammer (2010)
Robert Dow - Uncertain Memory (2010)
Pete Stollery - Three Cities (2013) and Still Voices (2005)
9.30am CL00.16 Alistair MacDonald (Royal Conservatoire of Scotland, Glasgow) will give a talk on his performative, installation and cross-arts uses of Max/MSP (this talk is a must for students taking the Creative Coding module with Bret but open to anyone interested)
3.00pm MTIRL Pete Stollery (University of Aberdeen) will give a talk on Electroacoustic music and sound design for public visitor attractions (this talk is a must for students taking the Installation Art module with Pete but open to anyone interested)
Free - all welcome! Vital for MUST1009 and MUST2003 concert reports!
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